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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop, Related Paintings of CIMA da Conegliano :. | Madonna and Child dfhdt | Madonna of the Orange Tree | The Madonna and Child with Sts John the Baptist and Mary Magdalen | Madonna of the Orange Tree | Sta Helena | Related Artists: Gustaf Rydbergpainted Skansk slatt med pilvall - motiv fran Viby in 1923
Swedish, 1835-1933 Anselm Schultzberg(1862 -1945 ) - Painter
Benson, FrankAmerican, 1862-1951
American painter, etcher and teacher. He attended the School of the Museum of Fine Arts, Boston, from 1880 to 1883 as a student of Otto Grundmann (1844-90) and Frederick Crowninshield (1845-1918). In 1883 he travelled with his fellow student and lifelong friend Edmund C. Tarbell to Paris, where they both studied at the Acad?mie Julian for three years with Gustave Boulanger and Jules Lefebvre. Benson travelled with Tarbell to Italy in 1884 and to Italy, Belgium, Germany and Brittany the following year. When he returned home, Benson became an instructor at the Portland (ME) School of Art, and after his marriage to Ellen Perry Peirson in 1888 he settled in Salem, MA. Benson taught with Tarbell at the Museum School in Boston from 1889 until their resignation over policy differences in 1913.
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All the Albert Bierstadt's Oil Paintings
Supported by oil paintings and picture frames
Copyright Reserved
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